Are tattoos addictive?

[David Cameron]

But I think the basic message is "see my tattoo, it says something about me, something I want you to know". The "something" is about how deep, interesting, different, sexual, masculine, feminine you perceive yourself to be.

I'm sure you folks with tattoos will roll about with laughter at this post. My response would be that you're deluding yourselves if you think otherwise. My post will reassure you that you get it (because you're cool, that's why you have a tattoo) and I don't (because I'm uncool, that's why I don't have a tattoo).

It'll be interesting to see what replaces tattoos. When everyone has one, and it no longer signals the wearer as being interesting and different, but as an unfashionable late adopter, then the 'interesting' brigade will have to find something new to express how cool they are.

"

The Sneetches"
This story is a lesson on the senselessness in prejudice and discrimination.

Sneetches are a group of vaguely avian yellow creatures who live on a beach. Some Sneetches have a green star on their bellies, and in the beginning of the story the absence of a star is the basis for discrimination. Sneetches who have stars on their bellies are part of the "in crowd", while Sneetches without stars are shunned and consequently mopey.

In the story, a "fix-it-up chappie" named Sylvester McMonkey McBean appears, driving a cart of strange machines. He offers the Sneetches without stars a chance to have them by going through his Star-On machine, for three dollars. The treatment is instantly popular, but this upsets the original star-bellied Sneetches, as they are in danger of losing their method for discriminating between Sneetches. Then McBean tells them about his Star-Off machine, costing ten dollars. The Sneetches formerly with stars happily pay the money to have them removed in order to remain special.

However, McBean does not share the prejudices of the Sneetches, and allows the recently starred Sneetches through this machine as well. Ultimately this escalates, with the Sneetches running from one machine to the next,

"until neither the Plain nor the Star-Bellies knew
whether this one was that one or that one was this one
or which one was what one... or what one was who."
This continues until the Sneetches are penniless and McBean departs a rich man, amused by their folly. Despite his assertion that "you can't teach a Sneetch," the Sneetches learn from this experience that neither plain-belly nor star-belly Sneetches are superior, and they are able to get along and become friends.

This story is referenced in punk rock band Dead Kennedys' song Holiday in Cambodia, riot grrrl band Bikini Kill's song Star Bellied Boy, and in hip-hop ensemble Flobots' song Simulacra, from their album Onamatopoeia.