Originally posted by zeitghost
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Previously on "Best camera for an a beginning enthusiast?"
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Originally posted by zeitghost
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Originally posted by Moscow Mule View PostI've got something similar to this (I think mine's a YS25).
http://www.camerasunderwater.co.uk/s...lash/ys27.html
I can't stress strongly enough how important it is to be competent in your buoyancy before you start cocking around with cameras underwater. It's very easy to drift down or up (both equally dangerous) when you're not concentrating. Pondlife's advice re drifts and walls is good. I'd add to that by saying if you think the dive will be challenging, don't take your camera - it's far better to miss a shot and have a memory than an embolism.
As for dive sites, the world is your oyster
My faves so far:
Kandavu (Fiji)
Aitutaki Lagoon & Reef (Cook Islands)
Ningaloo Reef (Western Oz)
Gordo Banks (Baja California/Sea of Cortez)
For something closer to home, you can't get easier than Stoney Cove if you're looking to practise your technique. You will get a bit of a green tinge to your pics though
Thanks MM - good info!
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Originally posted by Moscow Mule View PostI've got something similar to this (I think mine's a YS25).
http://www.camerasunderwater.co.uk/s...lash/ys27.html
I can't stress strongly enough how important it is to be competent in your buoyancy before you start cocking around with cameras underwater. It's very easy to drift down or up (both equally dangerous) when you're not concentrating. Pondlife's advice re drifts and walls is good. I'd add to that by saying if you think the dive will be challenging, don't take your camera - it's far better to miss a shot and have a memory than an embolism.
As for dive sites, the world is your oyster
My faves so far:
Kandavu (Fiji)
Aitutaki Lagoon & Reef (Cook Islands)
Ningaloo Reef (Western Oz)
Gordo Banks (Baja California/Sea of Cortez)
For something closer to home, you can't get easier than Stoney Cove if you're looking to practise your technique. You will get a bit of a green tinge to your pics though
I'll see your Stoney as a hell hole. ;o)
And I'll riase you
Truuk (FM)
Palawan (Phils)
Malta
and Pembrokeshire.
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Originally posted by sasguru View PostWell finally went for the Nikon D40. Ordered from Amazon.
BTW Jessops sell it for £40 more than Amazon - look for them to go bust soon. Salesman was pathetic and not interested in making a sale to someone who was clearly an interested punter, by chucking in a couple of freebies.
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Originally posted by bogeyman View PostAny recommendations?
I'm getting quite excited about this.
Also, where? I'm not a very experienced diver but can tackle most situations above 20m.
http://www.camerasunderwater.co.uk/s...lash/ys27.html
I can't stress strongly enough how important it is to be competent in your buoyancy before you start cocking around with cameras underwater. It's very easy to drift down or up (both equally dangerous) when you're not concentrating. Pondlife's advice re drifts and walls is good. I'd add to that by saying if you think the dive will be challenging, don't take your camera - it's far better to miss a shot and have a memory than an embolism.
As for dive sites, the world is your oyster
My faves so far:
Kandavu (Fiji)
Aitutaki Lagoon & Reef (Cook Islands)
Ningaloo Reef (Western Oz)
Gordo Banks (Baja California/Sea of Cortez)
For something closer to home, you can't get easier than Stoney Cove if you're looking to practise your technique. You will get a bit of a green tinge to your pics though
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Originally posted by bogeyman View PostAny recommendations?
I'm getting quite excited about this.
Also, where? I'm not a very experienced diver but can tackle most situations above 20m.
As for where to dive, for photo potential I prefer sites where you can take your time at a particular point of interest rather than drift dives fighting the current to get a shot. Also, flat bottom rather than wall dives.
My personal fav is Shark and Yolanda in Sharm. There's an old wreck (not much left of the boat unfortunately) that was transporting bathroom suites up to Jordan IIRC and so there's all the porcelain dotted about. Great for spotted rays which are always photogenic.
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Originally posted by Moscow Mule View PostFor the monster ones, yes.
But, if you're just using a compact, a smaller strobe can make the world of difference for about the same price as your housing...
I'm getting quite excited about this.
Also, where? I'm not a very experienced diver but can tackle most situations above 20m.
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Originally posted by bogeyman View PostUnderwater strobes == serious cash
But, if you're just using a compact, a smaller strobe can make the world of difference for about the same price as your housing...
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Originally posted by Pondlife View PostBest pics underwater (in my case) are from above 20m as you start to lose the colour depth below that.
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Originally posted by Pondlife View PostHardly a specialist.
I have a Panasonic Lumix TZ3 which I have no complaints about. It is true that the underwater case costs as much if not more than the camera. You can get the cases (camera specific) for most of the makes these days.
Best pics underwater (in my case) are from above 20m as you start to lose the colour depth below that. The other issue is that as you hold your breath to keep the camera steady your bouyancy changes and you start to rise.
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Originally posted by bogeyman View PostAh! A specialist.
What do you use?
Never done any underwater stuff although I've often wondered about it.
The cost of decent underwater housings for my Nikon gear seems awfully high, but the Canon PowerShot D10 looks pretty good:
http://www.dpreview.com/news/0902/09021805canond10.asp
I have a Panasonic Lumix TZ3 which I have no complaints about. It is true that the underwater case costs as much if not more than the camera. You can get the cases (camera specific) for most of the makes these days.
Best pics underwater (in my case) are from above 20m as you start to lose the colour depth below that. The other issue is that as you hold your breath to keep the camera steady your bouyancy changes and you start to rise.
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Originally posted by bogeyman View PostBeginners' mistake.
My old mentor on the Indie told me:
"always raise the little crank on the spool wheel and watch it when you load a new real - especially when you're use a motordrive and can't feel the friction on the wind-on lever"
He, himself had lost countless, front-page shots by not observing this rule.
Early Nikon F3 were a bugger for this. I always remember crowds of press photogs fumbling around trying to get the spool to take up.
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Originally posted by expat View PostSee, that's the instant feedback nature of digital. Whereas when you fail to engage the 35mm film in the take-up spool and then start shooting the Latin American mountains at dawn, you don't know anything's up until you reach 37-38 (?)-39 (WTF)-40 (oh tulip)-41-42-43-44 etc...
My old mentor on the Indie told me:
"always raise the little crank on the spool wheel and watch it when you load a new real - especially when you're use a motordrive and can't feel the friction on the wind-on lever"
He, himself had lost countless, front-page shots by not observing this rule.
Early Nikon F3 were a bugger for this. I always remember crowds of press photogs fumbling around trying to get the spool to take up.
Leave a comment:
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