Visitors can check out the Forum FAQ by clicking this link. You have to register before you can post: click the REGISTER link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. View our Forum Privacy Policy.
Want to receive the latest contracting news and advice straight to your inbox? Sign up to the ContractorUK newsletter here. Every sign up will also be entered into a draw to WIN £100 Amazon vouchers!
Trouble is, it's very long (135 mins) and sparks off questions about African swallows & such like, which dilutes the experience a bit.
The Wagner was a nice touch though.
That's the composer rather than the actor.
The chap who looked like Liam Neeson turned out to be Liam Neeson.
Which was a bit unexpected.
Captain Baldy was in it too.
Thankfully the War Criminal wasn't.
Which was a relief.
I remember seeing this in the cinema.
It seemed even longer then.
It might be noted that it could have been even longer, there being a 3 hour cut rumoured to exist.
Heaven forfend.
It's not a bad film, just so far from what we know of the real Arthur, there was no round table, there was no camelot, he was the last Roman emperor and then the first king of Britain
But for all it's faults I've watched this film so many times, it oozes atmosphere and brings the Arthurian myths of the Normans and Malory to life, it's about the best Arthurian film you can expect
Socialism is inseparably interwoven with totalitarianism and the abject worship of the state.
No Socialist Government conducting the entire life and industry of the country could afford to allow free, sharp, or violently-worded expressions of public discontent.
I keep forgetting this is the one true "WIW" thread and prattling about it in TPD instead
Anyway, tonight: The Sum of All Fears, which I only got because there was a special offer on iTunes for something else (probably The Hunt for Red October) a few months ago which deposited a bunch of Jack Ryan stories upon my Apple TV.
[SPOILER ALERT]
Rather good, I thought, as these hokum movies go. I was rather surprised that Jack's lady friend was seen to be facing a plate glass window as the shockwave from a nuclear explosion hit the hospital she worked in, yet was later seen to have nothing but a couple of trivial scratches just beneath her hairline as a result of this cataclysmic event; but, as I said, hokum [/SPOILER ALERT]
And then I watched Taxi Driver, which I picked up on one of those Amazon 3-films-for-£10 deals. They're actually rather good if you dig through the fifty-odd pages of deals and find the occasional gems, like this.
I remember when it came out; there was lascivious press coverage of the young Jodie Foster playing a child prostitute. No doubt that worked well for the studio's sales figures, but it doesn't do the film justice. She's a side story anyway. The exploration of Travis Bickle's psyche, and the depiction of the nighttime streets of New York in those years, are of much greater significance.
I vaguely remember Barry Norman speaking highly of it on Film 76. I would have been fourteen, and only allowed to stay up late enough to watch that if I changed into my pyjamas and dressing gown first. Ho hum
Had some time off so been doing a bit of film watching and revisiting some classics like Forbidden Planet.
2 of note, both a bit ultra violent, but of high quality as film making goes.
Heat - Al Pacino and Robert DeNiro, decent supporting cast apart from Val Kilmer who I've never appreciated.
Reservoir Dogs - Most people will be familiar.
Comment