20 years ago, our band got a record deal, and we were over the moon. We were riding on the 90's dance music wave and our stuff was in a similar vein to Ride on Time and the ilk.
Personally I couldn't stand the music, but writing it was easy and we took the deal to a contract lawyer for review.
I have no idea what they charge today, but even back then, it was £160 an hour ! She was the music lawyer for several bands, the Farm being one of them.
Best money we ever spent.
56 fekking clauses in the contract that would stuff us up for the next 10 years of our lives. Too complex to go in to here, but it was nasty stuff.
Dejected and with more than a bitter taste in our mouths, we split the band, and went our own seperate ways. Older, wiser and more cynical, but richer in pocket I guess.
I don't have a band these days, and just tinker at home with various progams (just brought Cubase Essentials 5), and I am planning once we move to have all my kit and synths permanently setup for when the mood strikes.
Working on a few compositions, and always on the hunt for new VSTS, which cost a few bob each time. It's not a cheap hobby, but a very rewarding one. In fact...tempted to fire up Cubase now and have a tinkle...need to get a middle 8 right...
Grats Clippy !